Представьте себе самое лучшее из всего, представленных в особой обстановке - где лучшие материалы в сочетании с ослепительным артистизмом и мастерством, чтобы создать атмосферу текстур, моделей и цветов, которые радуют дух. Вилла Ирини является это место. Завершенная в 2007 году, вилла является кульминацией зрения нынешних владельцев, чтобы создать шедевр в неоклассическом стиле, вдохновение от Villa Kerylos, воссоздание древних греческих вилл на Французской Ривьере.Торжество дизайна, дома, определенно, сложный и элегантный доступным и близким.
Местные и международные ремесленники были собраны, чтобы создать мир, тронутый красотой на каждом шагу. Столовую расписал художник Сергей Константинов. Полы из Италии в каждой стадии производства мозаики представленные комнаты с полной индивидуальностью, потолки и дверные проемы со сложными скульптурными фронтонами и фризами, и французские двери открываются из каждой комнаты в сады, которые одинаково захватывает дух. В результате роскошная коллекция комнат, которые охватывают один уровень.
Неоклассическая резиденция в Калифорнии.
A Georgian Villa with Greek influences in Atherton, California.
Interior Design by Suzanne Tucker, Tucker & Marks, Inc.
Architecture by Andrew Skurman, Andrew Skurman Architects, Inc. Mural room by Art Studio Sergey Konstantinov.
Thursday, November 29, 2012
Friday, November 9, 2012
Art restoration San Francisco Bay Area.
Art Conservation & Restoration Sergey Konstantinov
Art studio Sergey Konstantinov
www.mindspring.com/~fineart3
http://artstudiosergeykonstantinov.blogspot.com/
fineart3@mindspring.com
skype-sergey.konstantinov2
Facebook
415 928 8290
What is the difference between a CONSERVATOR and a RESTORER.
Many people are confused about the difference between an art conservator and a restorer. To the layperson there is seemingly no difference and the terms are used interchangeably. However, this is very much not the case and the gulf between "restoration" and "conservation" is rapidly widening. Art conservators are generally academically trained to at least the level of a Master's degree (M.A.C. – Master’s of Art Conservation – see FAQ on Where do I get conservation training?). They have training in the scientific, art historical and artistic aspects and requirements of works of art. Fine art conservation is relatively new (only the last 50-60 years, since WWII) whereas restoration has arguably existed since the beginning of the creation of art when artists restored their own or others' works. Restorers tend to have been trained as artisans (often apprenticed to artists) or have learned by experience. This type of learning is a necessary but not sufficient condition to treat works of art in a manner that will reliably ensure their survival.
Conservators attempt to perform the minimum treatment necessary and use as many reversible materials as possible – this is considerably different than a restoration approach. Conservation addresses the work of art not only from the aesthetic but from a materials point of view. The structure of a work of art must be thoroughly understood and preserved in order to preserve the image.
American Institute for Conservation of Historic & Artistic Works.
Art studio Sergey Konstantinov
www.mindspring.com/~fineart3
http://artstudiosergeykonstantinov.blogspot.com/
fineart3@mindspring.com
skype-sergey.konstantinov2
415 928 8290
What is the difference between a CONSERVATOR and a RESTORER.
Many people are confused about the difference between an art conservator and a restorer. To the layperson there is seemingly no difference and the terms are used interchangeably. However, this is very much not the case and the gulf between "restoration" and "conservation" is rapidly widening. Art conservators are generally academically trained to at least the level of a Master's degree (M.A.C. – Master’s of Art Conservation – see FAQ on Where do I get conservation training?). They have training in the scientific, art historical and artistic aspects and requirements of works of art. Fine art conservation is relatively new (only the last 50-60 years, since WWII) whereas restoration has arguably existed since the beginning of the creation of art when artists restored their own or others' works. Restorers tend to have been trained as artisans (often apprenticed to artists) or have learned by experience. This type of learning is a necessary but not sufficient condition to treat works of art in a manner that will reliably ensure their survival.
Conservators attempt to perform the minimum treatment necessary and use as many reversible materials as possible – this is considerably different than a restoration approach. Conservation addresses the work of art not only from the aesthetic but from a materials point of view. The structure of a work of art must be thoroughly understood and preserved in order to preserve the image.
American Institute for Conservation of Historic & Artistic Works.
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