Group Show. Sergey Konstantinov, Victoria Kovalenchikova, Mina Markovich.

Group Show.

Sergey Konstantinov, Victoria Kovalenchikova, Mina Markovich.

Curated by: Tatiana Takaeva

Arttitud

111 Potrero Ave.
San Francisco, California 94103

September 7th - October 7th

Opening: 
September 7th 04:00 AM - 07:00 PM 

 

 Welcome the New 'Arts District' with works by Victoria Kovalenchikova Mina Markovich and
Sergey Konstantinov.
Four established San Francisco art galleries have moved a block away from us on Utah Street. We're calling it the new 'Arts District'. Saturday, September 7th there will be inaugural group openings for the new spaces from 4pm-7pm, and we are welcoming them with a simultaneous art opening and cocktail reception at 111 Potrero.

Russian Pavilion to Arttitud San Francisco.

We are happy to welcome Russian Pavilion to Arttitud San Francisco for Fine Art Week, May 17-19, 2013. Art opening reception is Friday, May 17, from 6 to 9pm, with drinks and entertainment provided. Many of the participating artists will be traveling to San Francisco for this event.

The Russian Pavilion is a juried art exhibition showcasing emerging and established artists from Russia, Eastern Europe, the Caucasus and Baltic regions during leading international contemporary art fairs in New York, San Francisco and Miami. Russian Pavilion had its incredibly successful debut during Armory Arts Week in New York City, March 2013.

Participating artists include: Blue Noses Group, Valery Yershov, Valentin Popov, Artem Mirolevich, Igor Vishnyakov, Rustam Khamdamov, Igor Molochevsky, Taguhi Barsegian, Leonid Gurevich, Victoria Kovalenchikova, Dasha Fursey Ilya Shevel, Sasha Meret, Olga Chemokhud-Doty, Alex Khomski, Sergey Konstantinov, Igor Zaytsev, Yuliya Lanina, Inna Antonova, Irene Koval & others.

Cultural Partners for the tour include: Museum of Russian Art (New Jersey), Kolodzei Art Foundation, Kavachnina Contemporary, Russian American Cultural Center, Northern Cross, Electra Inc., Universal Software Inc., Gambourg and Borsen.

Artist Sergey Konstantinov- who will be showing new original works with art installed in the Russian Pavilion San Francisco at Arttitud on May 17th- has been getting a lot of attention for an Atherton dining room mural done in collaboration with interior designer Suzanne Tucker. Konstantinov is also known for his commission work for the Gettys.

Журнал MUZA-UA. Апрель 2013.

Журнал MUZA-UA. Апрель 2013.

Живопись. Художник Сергей Константинов.

 

Mural room.Art Studio Sergey Konstantinov.

A Georgian Villa with Greek influences in Atherton, California.
Mural room.Art Studio Sergey Konstantinov.

20 Conventional Dining Rooms with Wallpaper Murals.
The pretty mural in the wall sure is so marvelous, anyone who will be seeing it will be in awe. The simple colors and design is a classic – this sure is sophisticated and really a charmer.
http://homedesignlover.com/dining-room-designs/dining-room-murals/

Alluring lighting for a traditional dining room.
Sconces offer an ideal way to incorporate more light into your dining room. When you have something as stunning as this mural by Sergey Konstantinov Art Studio, there's no reason to dim the lights. Just make sure that the bulbs or candles are above eye height. 
 http://www.foxnews.com/leisure/2012/09/08/alluring-lighting-for-traditional-dining-room/#ixzz2KYeREbDA

OXFORD CLASSICAL DICTIONARY ONLINE

OXFORD CLASSICAL DICTIONARY ONLINE. DICTIONARY ONLINE
Classical portrait.Artist Sergey Konstantinov.

https://sites.google.com/site/arabicmalayalamdictionary/oxford-classical-dictionary-online-dictionary-online

Неоклассический шедевр в Калифорнии.

Представьте себе самое лучшее из всего, представленных в особой обстановке - где лучшие материалы в сочетании с ослепительным артистизмом и мастерством, чтобы создать атмосферу текстур, моделей и цветов, которые радуют дух. Вилла Ирини является это место. Завершенная в 2007 году, вилла является кульминацией зрения нынешних владельцев, чтобы создать шедевр в неоклассическом стиле, вдохновение от Villa Kerylos, воссоздание древних греческих вилл на Французской Ривьере.Торжество дизайна, дома, определенно, сложный и элегантный доступным и близким.
Местные и международные ремесленники были собраны, чтобы создать мир, тронутый красотой на каждом шагу. Столовую расписал художник Сергей Константинов. Полы из Италии в каждой стадии производства мозаики представленные комнаты с полной индивидуальностью, потолки и дверные проемы со сложными скульптурными фронтонами и фризами, и французские двери открываются из каждой комнаты в сады, которые одинаково захватывает дух. В результате роскошная коллекция комнат, которые охватывают один уровень.

Неоклассическая резиденция в Калифорнии.

A Georgian Villa with Greek influences in Atherton, California. Interior Design by Suzanne Tucker, Tucker & Marks, Inc. Architecture by Andrew Skurman, Andrew Skurman Architects, Inc. Mural room by Art Studio Sergey Konstantinov.

Art restoration San Francisco Bay Area.

Art Conservation & Restoration Sergey Konstantinov
Art studio Sergey Konstantinov
www.mindspring.com/~fineart3
http://artstudiosergeykonstantinov.blogspot.com/
fineart3@mindspring.com
skype-sergey.konstantinov2
Facebook
415 928 8290



What is the difference between a CONSERVATOR and a RESTORER.

Many people are confused about the difference between an art conservator and a restorer.  To the layperson there is seemingly no difference and the terms are used interchangeably.  However, this is very much not the case and the gulf between "restoration" and "conservation" is rapidly widening.  Art conservators are generally academically trained to at least the level of a Master's degree (M.A.C. – Master’s of Art Conservation – see FAQ on Where do I get conservation training?).  They have training in the scientific, art historical and artistic aspects and requirements of works of art.  Fine art conservation is relatively new (only the last 50-60 years, since WWII) whereas restoration has arguably existed since the beginning of the creation of art when artists restored their own or others' works.  Restorers tend to have been trained as artisans (often apprenticed to artists) or have learned by experience.  This type of learning is a necessary but not sufficient condition to treat works of art in a manner that will reliably ensure their survival.
Conservators attempt to perform the minimum treatment necessary and use as many reversible materials as possible – this is considerably different than a restoration approach.  Conservation addresses the work of art not only from the aesthetic but from a materials point of view.  The structure of a work of art must be thoroughly understood and preserved in order to preserve the image.
American Institute for Conservation of Historic & Artistic Works.